Le temple de la Gloire: Passepieds I-II: Entree de la jeunesse - Jean-Philippe Rameau, Tafelmusik Baroque Orchestra, Jeanne Lamon Information

Acousticness: 95%
Danceability: 23%
Energy: 7%
Instrumentalness: 0%
Liveness: 27%
Loudness: 63%
Speechiness: 5%
Valence: 22%
Popularity: 1%
Loudness: -22.241 dB

Summary

Jean-Philippe Rameau, Tafelmusik Baroque Orchestra, Jeanne Lamon's 'Le temple de la Gloire: Passepieds I-II: Entree de la jeunesse' came out on May 1, 2012. The duration of Le temple de la Gloire: Passepieds I-II: Entree de la jeunesse is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Le temple de la Gloire: Passepieds I-II: Entree de la jeunesse's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Rameau: Dardanus - Le temple de la Gloire". In this album, this song's track order is #27. Le temple de la Gloire: Passepieds I-II: Entree de la jeunesse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Le temple de la Gloire: Passepieds I-II: Entree de la jeunesse BPM

With Le temple de la Gloire: Passepieds I-II: Entree de la jeunesse by Jean-Philippe Rameau, Tafelmusik Baroque Orchestra, Jeanne Lamon having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Le temple de la Gloire: Passepieds I-II: Entree de la jeunesse Key

This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave	Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana	F Minor	1	4A	108 BPM
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings)	Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog	B Minor	1	10A	87 BPM
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2	Felix Mendelssohn, Péter Nagy	F♯ Minor	1	11A	166 BPM
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13 Pieces, Op. 76: No. 2. Etude	Jean Sibelius, Olli Mustonen	G Major	1	9B	92 BPM
Sonata No. 42 in D Minor (Arr. Ólafsson)	Domenico Cimarosa, Víkingur Ólafsson	D Minor	0	7A	61 BPM
Lied ohne Worte in F-Sharp Minor, Op. 67/2	Felix Mendelssohn, Khatia Buniatishvili	F♯ Minor	1	11A	75 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]	Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz	A Minor	0	8A	70 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.775930643081665

End: 0.7800304889678955