Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa's 'Boléro, M. 81' came out on January 1, 1987. Boléro, M. 81 appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Ravel: Boléro; Pavane; La Valse". In this album, this song's track order is #1. Boléro, M. 81 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Boléro, M. 81 by Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fanfare for the Common Man | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | B♭ Major | 2 | 6B | 73 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): II. Romance (Allegro non troppo) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | B♭ Major | 1 | 6B | 97 BPM | ||
Tzigane (version for violin and orchestra) | Maurice Ravel, Marat Bisengaliev, Polish National Radio Symphony Orchestra, Johannes Wildner | D Major | 1 | 10B | 123 BPM | ||
Pavane in F-Sharp Minor, Op. 50 | Gabriel Fauré, Charles Gerhardt, National Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
Dvorák: Serenade for Strings, Op. 22, B. 52: I. Moderato | Antonín Dvořák, English Chamber Orchestra & Sir Charles Mackerras, Sir Charles Mackerras, English Chamber Orchestra | E Major | 0 | 12B | 80 BPM | ||
Scheherazade, Op. 35: Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Maria Larionoff, Seattle Symphony Orchestra, Gerard Schwarz | C Minor | 2 | 5A | 119 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Piano Concerto No.1, Sz. 83: I. Allegro moderato - Allegro | Béla Bartók, Seiji Ozawa, Chicago Symphony Orchestra, Peter Serkin | E Major | 1 | 12B | 74 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM |
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