Capriccio after Le bal masque, FP 155
Francis Poulenc, Jeremy Brown, Seta Tanyel
Poulenc: Music For Piano Duo
4:59 April 1, 1987
BPM
114
Key
D Minor
Camelot
7A

Embed

Share Link

Capriccio after Le bal masque, FP 155 - Francis Poulenc, Jeremy Brown, Seta Tanyel Information

Acousticness
98%
Danceability
41%
Energy
20%
Instrumentalness
88%
Liveness
11%
Loudness
71%
Speechiness
4%
Valence
6%
Popularity
Loudness
-17.128 dB

Summary

"Capriccio after Le bal masque, FP 155" by Francis Poulenc, Jeremy Brown, Seta Tanyel had its release date on April 1, 1987. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Poulenc: Music For Piano Duo". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Capriccio after Le bal masque, FP 155 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Capriccio after Le bal masque, FP 155 BPM

With Capriccio after Le bal masque, FP 155 by Francis Poulenc, Jeremy Brown, Seta Tanyel having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.

Capriccio after Le bal masque, FP 155 Key

D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Cantabile in B-Flat Major by Frédéric Chopin, Idil BiretCantabile in B-Flat MajorFrédéric Chopin, Idil BiretB♭ Major06B69 BPM
Valse Mélancolique by Vladimir Rebikov, Christopher FerreiraValse MélancoliqueVladimir Rebikov, Christopher FerreiraB Minor110A113 BPM
Scriabin: 24 Preludes, Op. 11: No. 21 in B Flat Major by Alexander Scriabin, Mikhail PletnevScriabin: 24 Preludes, Op. 11: No. 21 in B Flat MajorAlexander Scriabin, Mikhail PletnevE♭ Major05B70 BPM
Carmen Variations by Vladimir HorowitzCarmen VariationsVladimir HorowitzE Major212B148 BPM
Prelude In A Minor Op. 32 No. 8 by Vladimir HorowitzPrelude In A Minor Op. 32 No. 8Vladimir HorowitzF Major17B59 BPM
Jeux d'enfants, Op. 22 WD 56: 3. La poupée by Georges Bizet, Katia Labèque, Marielle LabèqueJeux d'enfants, Op. 22 WD 56: 3. La poupéeGeorges Bizet, Katia Labèque, Marielle LabèqueB Major01B64 BPM
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude by César Franck, Aldo CiccoliniFranck: Prélude, fugue et variation, Op. 18, FWV 30: PréludeCésar Franck, Aldo CiccoliniB Minor010A127 BPM
13 Pieces, Op. 76: No. 1 Esquisse by Jean Sibelius, Håvard Gimse13 Pieces, Op. 76: No. 1 EsquisseJean Sibelius, Håvard GimseA Major111B141 BPM
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major by Antonín Dvořák, Stefan Veselka2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G MajorAntonín Dvořák, Stefan VeselkaG Major09B66 BPM
Symphony No. 6 in B Minor, Op. 74 Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con graziaPyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeternaD Major210B66 BPM
ISRC
GBLWD8703004
Label
L-M Records/RCA Records