Gilbert & Sullivan Society of Houston made "The Pirates of Penzance, Act I: I Am the Very Model of a Modern Major-General" available on August 1, 2015. Since The Pirates of Penzance, Act I: I Am the Very Model of a Modern Major-General is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 38 in the song's album "The Pirates of Penzance". In this album, this song's track order is #14. The Pirates of Penzance, Act I: I Am the Very Model of a Modern Major-General is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Pirates of Penzance, Act I: I Am the Very Model of a Modern Major-General by Gilbert & Sullivan Society of Houston having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
1776: Molasses to Rum | Sherman Edwards, Clifford David, Peter Howard | A Major | 5 | 11B | 87 BPM | ||
Comedy Tonight | Zero Mostel | D Major | 2 | 10B | 109 BPM | ||
H.M.S. Pinafore / Act 2: A joy! Oh rapture unforseen | Arthur Sullivan, The D'Oyly Carte Opera Company, Joyce Wright, Thomas Round, Donald Adams, Jeffrey Skitch, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 3 | 7B | 200 BPM | ||
Overture & Rock Island | Meredith Willson | D♭ Major | 4 | 3B | 111 BPM | ||
It's All About Me | Patch the Pirate | E Major | 5 | 12B | 83 BPM | ||
Shadow Waltz (In Four) | Kim Criswell, Jamie Ross, Art Ostrin | D Major | 3 | 10B | 132 BPM | ||
Trial by Jury: When I, Good Friends, Was Called to the Bar | Gilbert & Sullivan Society of Houston | G Major | 4 | 9B | 116 BPM | ||
1776: Yours, Yours, Yours | Sherman Edwards, Virginia Vestoff, William Daniels, Peter Howard | F♯ Major | 1 | 2B | 88 BPM | ||
I'll Show Him | The Charlottetown Festival | B♭ Major | 1 | 6B | 113 BPM | ||
H.M.S. Pinafore, Act I: I'm Called Little Buttercup | Gilbert & Sullivan Society of Houston | C Major | 2 | 8B | 93 BPM |
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