- BPM
- 106
- Key
- D♭ Minor
- Camelot
- 12A
Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato - George Frideric Handel, The English Concert, Trevor Pinnock Information
- Acousticness
- 95%
- Danceability
- 20%
- Energy
- 4%
- Instrumentalness
- 89%
- Liveness
- 12%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 8%
- Popularity
- 42%
- Loudness
- -24.204 dB
Summary
"Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato" by George Frideric Handel, The English Concert, Trevor Pinnock was released on January 1, 1983. The duration of Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, The English Concert, Trevor Pinnock's "Handel: Water Music" album is number 2 out of 19. In terms of popularity, Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato BPM
We consider the tempo marking of Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato by George Frideric Handel, The English Concert, Trevor Pinnock to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato Key
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | |
 | Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | |
 | Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | |
 | Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | |
 | Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | |
 | Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | |
 | Etude-fantasie in E-Flat Major, Op. 4, "Les Vagues" | Vladimir Horowitz, Valery Kuleshov | G Minor | 1 | 6A | 67 BPM | |
 | Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | |
 | Oboe Concerto in G Minor, Op. 9, No. 8: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | G Minor | 3 | 6A | 108 BPM | |
 | Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.750333309173584
End: 0.7543447017669678