"Hermann & Dorothea Op. Posthumus 136" by Alfred Scholz, South German Philharmonic Orchestra was released on July 1, 1995. Since Hermann & Dorothea Op. Posthumus 136 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Alfred Scholz, Radio Symphony Orchestra Ljubljana, Anton Nanut, London Philharmonic Orchestra's "More Famous Overtures" album is number 5 out of 7. Based on our statistics, Hermann & Dorothea Op. Posthumus 136's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hermann & Dorothea Op. Posthumus 136 by Alfred Scholz, South German Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Night On Bald Mountain | Modest Mussorgsky, London Festival Orchestra, Alfred Scholz | D Major | 2 | 10B | 116 BPM | ||
Nocturne No. 2 in E Flat, Op. 9 | Frédéric Chopin, Peter Schmalfuss | B♭ Major | 0 | 6B | 101 BPM | ||
Hungarian Rhapsody No.15 A Minor 'Rakoczy March' | Philharmonia Slavonica, Alfred Scholz | A Major | 3 | 11B | 91 BPM | ||
Scheherazade, Op. 35: Festival in Baghdad - The Sea - The Ship Goes to Pieces On a Rock Surmounted by a Bronze Warrior - Conclusion | Nikolai Rimsky-Korsakov, London Festival Orchestra, Alfred Scholz | C Major | 3 | 8B | 153 BPM | ||
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
La Grande Duchess de Gerolstein, Acte III (Tableau 2): No 19: Entracte et Galop | Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski | D Major | 4 | 10B | 92 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Theater Quadrille, Op. 213 | Josef Strauss, Kosice State Philharmonic Orchestra, Alfred Scholz | F Major | 2 | 7B | 178 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM | ||
Rosas del sur, Op. 388 | Orquesta De Conciertos Vienesa, Alfred Scholz | F Major | 4 | 7B | 189 BPM |
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