"Gayane Suite No. 1: II. Gayane and Giko" by Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov was released on June 1, 1994. The duration of Gayane Suite No. 1: II. Gayane and Giko is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Gayane Suite No. 1: II. Gayane and Giko's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Aram Khachaturian's "Khachaturian, A.I.: Gayane Suites Nos. 1- 3" album is number 2 out of 17. Gayane Suite No. 1: II. Gayane and Giko is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gayane Suite No. 1: II. Gayane and Giko by Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Carmen Suite No.2: 5. Danse bohème | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 142 BPM | ||
The Battle of Stalingrad Suite: A City on the Volga - The Invasion | Aram Khachaturian, Slovak Radio Symphony Orchestra, Adriano | D Minor | 1 | 7A | 79 BPM | ||
Symphony No. 3 in F Major, Op. 90: IV. Allegro | Johannes Brahms, David Zinman | F Major | 1 | 7B | 80 BPM | ||
Román népi táncok (Romanian Folk Dances), BB 76: No. 4. Buciumeana: Andante | Béla Bartók, Hungarian National Philharmonic, Zoltán Kocsis | B Minor | 1 | 10A | 99 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Cello Sonata in G Minor, Op. 19: II. Allegro scherzando | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | A♭ Major | 0 | 4B | 92 BPM | ||
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 5. Spacírka. Poco Adagio - Vivace | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D♭ Major | 4 | 3B | 84 BPM |
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