"Mystery (Rosary) Sonata No. 11 in G Major, The Resurrection: II. Surexit Christus hodie" by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti was released on February 17, 2023. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 46 in Biber: Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Mystery (Rosary) Sonata No. 11 in G Major, The Resurrection: II. Surexit Christus hodie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mystery (Rosary) Sonata No. 11 in G Major, The Resurrection: II. Surexit Christus hodie by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hortus Musicus "Sonata Prima" in A Minor: Gigue | Johann Adam Reincken, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 2 | 8A | 116 BPM | ||
Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM | ||
Sonata Accademica IX, Op.2: Un poco andante et affettuoso | Francesco Maria Veracini, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | F♯ Minor | 3 | 11A | 88 BPM | ||
Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Concerto in D Minor, Op. 6 No. 3: I. Largo andante | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 119 BPM | ||
Sonata Sexta in F Minor for Violin: II. Allegro | Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel | B♭ Minor | 0 | 3A | 135 BPM | ||
Hexachordum Apollinis: No. 6 in F Minor, Aria & 8 Variations, P. 198 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM |
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