Hugo Wolf, Olaf Bär, Geoffrey Parsons's 'Nun wandre, Maria (Ocana trans Heyse) from Spanisches Liederbuch' came out on 1995. The duration of Nun wandre, Maria (Ocana trans Heyse) from Spanisches Liederbuch is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Nun wandre, Maria (Ocana trans Heyse) from Spanisches Liederbuch's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wolf: Spanisches Liederbuch by Hugo Wolf, Anne Sofie von Otter. The song's track number on the album is #2 out of 44 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Nun wandre, Maria (Ocana trans Heyse) from Spanisches Liederbuch is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Nun wandre, Maria (Ocana trans Heyse) from Spanisches Liederbuch by Hugo Wolf, Olaf Bär, Geoffrey Parsons has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Nun wandre, Maria (Ocana trans Heyse) from Spanisches Liederbuch being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wolf : Mörike Lieder : Schlafendes Jesuskind [The sleeping infant Jesus] | Hugo Wolf, Jorma Hynninen | D Major | 0 | 10B | 138 BPM | ||
Les 7 paroles du Christ: Introduction, “O vos omnes” | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 1 | 7A | 112 BPM | ||
Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Rückert-Lieder: Um Mitternacht | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | A Minor | 1 | 8A | 91 BPM | ||
V'Adoro, Pupille From Giulio Cesare | George Frideric Handel, Heidi Grant Murphy, Kevin Murphy | F Major | 1 | 7B | 101 BPM | ||
6 Lieder, Op. 31: No. 6, Abschied | Ferdinand Ries, Wolfgang Müller von Königswinter, Äneas Humm, Judit Polgar | F Major | 2 | 7B | 93 BPM | ||
Wolf: Goethe-Lieder: No. 5, Mignon I. "Heiß mich nicht reden" | Hugo Wolf, Elisabeth Schwarzkopf, Gerald Moore | G Major | 1 | 9B | 176 BPM | ||
Liebeslieder-Walzer, Op. 52: No. 1, Rede, Mädchen, allzu liebes | Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers | C Major | 3 | 8B | 129 BPM | ||
5 Lieder, Op. 49: IV. Wiegenlied | Johannes Brahms, Bernarda Fink, Roger Vignoles | E♭ Major | 2 | 5B | 89 BPM |
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