"Violin Sonata in G Minor, Op. 27 No. 1: IV. Finale con brio (Allegro fermo)" by Eugène Ysaÿe, Leonidas Kavakos was released on December 1, 1999. The duration of Violin Sonata in G Minor, Op. 27 No. 1: IV. Finale con brio (Allegro fermo) is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Violin Sonata in G Minor, Op. 27 No. 1: IV. Finale con brio (Allegro fermo)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Ysaÿe: 6 Sonatas for Solo Violin, Op. 27 by Eugène Ysaÿe, Leonidas Kavakos. The song's track number on the album is #4 out of 15 tracks. Based on our data, Sweden was the country where this track was produced or recorded. In terms of popularity, Violin Sonata in G Minor, Op. 27 No. 1: IV. Finale con brio (Allegro fermo) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Violin Sonata in G Minor, Op. 27 No. 1: IV. Finale con brio (Allegro fermo) by Eugène Ysaÿe, Leonidas Kavakos has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Violin Sonata in G Minor, Op. 27 No. 1: IV. Finale con brio (Allegro fermo) being at 115 BPM, the half-time would be 58 BPM with a double-time of 230 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Octet in E-Flat Major, Op. 20, MWV R20: III. Scherzo: Allegro leggierissimo | Felix Mendelssohn, Kodály Quartet, Auer String Quartet | A Minor | 0 | 8A | 168 BPM | ||
Sonata for Violin and Piano in A: 1. Allegretto ben moderato | César Franck, Kaja Danczowska, Krystian Zimerman | F♯ Minor | 1 | 11A | 145 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM | ||
String Quartet No.14 In C Sharp Minor, Op.131: 6. Adagio quasi un poco andante | Ludwig van Beethoven, Emerson String Quartet | A♭ Minor | 0 | 1A | 91 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Concerto for Violin & Orchestra, Op. 14: I. Allegro | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 2 | 9B | 92 BPM | ||
24 Caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Axel Strauss | A Minor | 2 | 8A | 83 BPM |
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