- BPM
- 84
- Key
- B♭ Major
- Camelot
- 6B
O Worship the King - Huddersfield Choral Society Information
- Acousticness
- 94%
- Danceability
- 13%
- Energy
- 23%
- Instrumentalness
- 0%
- Liveness
- 34%
- Loudness
- 70%
- Speechiness
- 4%
- Valence
- 22%
- Popularity
- 7%
- Loudness
- -18.288 dB
Summary
Huddersfield Choral Society's 'O Worship the King' came out on 1986. The duration of O Worship the King is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. O Worship the King's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "The Hymns Album". In this album, this song's track order is #1. O Worship the King is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
O Worship the King BPM
With O Worship the King by Huddersfield Choral Society having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
O Worship the King Key
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "But Hark!" - "Low-Born Clods of Brute Earth" (Soul, Angel, Chorus) | Edward Elgar, Anthony Rolfe Johnson/Catherine Wyn-Rogers/Michael George/Royal Liverpool Philharmonic Choir/Ian Tracey/Huddersfield Choral Society/Royal Liverpool Philharmonic Orchestra/Brian Kay/Vernon Handley/Stephen Disley/Malcolm Stewart, Anthony Rolfe Johnson, Catherine Wyn-Rogers, Huddersfield Choral Society, Royal Liverpool Philharmonic Choir, Stephen Disley, Vernon Handley, Royal Liverpool Philharmonic Orchestra | A Minor | 1 | 8A | 80 BPM | |
 | Wesley: Lo! He Comes with Clouds Descending (Helmsley) - 4. Yea, Amen! Let All Adore Thee | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | G Major | 2 | 9B | 59 BPM | |
 | Glorious Things of Thee are Spoken | John Newton, Cyril Taylor, Salisbury Cathedral Choir, Simon Lole | G Major | 1 | 9B | 73 BPM | |
 | Psalm 32 | Joseph Turle, Salisbury Cathedral Choir, Simon Lole | A♭ Major | 1 | 4B | 90 BPM | |
 | Be Still for the Presence of the Lord (Arr. J. Whitbourn for Choir & Organ) | David J. Evans, Lincoln Minster School Chamber Choir, Charles Harrison, Aric Prentice | D Major | 2 | 10B | 84 BPM | |
 | My God, How Endless | Lyle Stutzman, Tapestry Chamber Singers | A Minor | 2 | 8A | 95 BPM | |
 | Old Hundredth "All People That on Earth Do Dwell" | Louis Bourgeois, Norwich Cathedral Choir, Katherine Dienes-Williams, David Dunnett | G Major | 1 | 9B | 85 BPM | |
 | The Celtic Collection: No. 2, Circle Me, Lord | Margaret Rizza, The Sarum Voices, Sarum Consort, Cathy Lamb, Ben Lamb | D Major | 1 | 10B | 108 BPM | |
 | There's a Wideness in God's Mercy | Fredrick William Faber | G Major | 2 | 9B | 89 BPM | |
 | Caractacus, Op. 35, Scene 2: No. 4, Leap, Leap to Light (Caractacus/Soldiers/Orbin/Arch-Druid) – | Edward Elgar, Roland Wood, The Orchestra Of Opera North, Martyn Brabbins, Huddersfield Choral Society, Elgan Llŷr Thomas, Christopher Purves | F Minor | 2 | 4A | 79 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.509770393371582
End: 0.5133428573608398