Kitty Kallen, Harry James made "11:60 P.M. (with Harry James & His Orchestra)" available on December 2, 2022. The duration of 11:60 P.M. (with Harry James & His Orchestra) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. 11:60 P.M. (with Harry James & His Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "The Kitty Kallen Story". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United States. Based on our statistics, 11:60 P.M. (with Harry James & His Orchestra)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With 11:60 P.M. (with Harry James & His Orchestra) by Kitty Kallen, Harry James having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Love Letters In The Sand | Ambrose & His Orchestra | C Major | 1 | 8B | 76 BPM | ||
Swingin' At The Sugar Bowl | Bob Crosby & His Orchestra | E♭ Major | 5 | 5B | 92 BPM | ||
It Had To Be You | Betty Hutton, Robert Norberg | B♭ Minor | 1 | 3A | 97 BPM | ||
Introduction/Theme ("Moonlight Serenade) | Ed Herlihy & Glenn Miller | C Minor | 3 | 5A | 84 BPM | ||
The End Of The World | Bob Crosby & The Bob Cats | E♭ Major | 1 | 5B | 164 BPM | ||
I'm a Dreamer (Aren't We All?) | Annette Hanshaw | E♭ Major | 1 | 5B | 128 BPM | ||
A Blues Serenade - 78rpm Version | Glenn Miller & His Orchestra; Vocal by Smith Ballew | A♭ Major | 1 | 4B | 82 BPM | ||
True Confession | Larry Clinton | B♭ Minor | 1 | 3A | 89 BPM | ||
Shine on Harvest Moon | Ethel Waters | F♯ Minor | 2 | 11A | 114 BPM | ||
Life Is Just a Bowl of Cherries | Rudy Vallee | C Major | 5 | 8B | 112 BPM |
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