"Trio Sonata for 2 Oboes and Continuo in F, Op. 5, No. 6, HWV 401: 2. Allegro - Adagio" by George Frideric Handel, Neil Black, Celia Nicklin, George Malcolm, Graham Sheen, Academy of St. Martin in the Fields was released on January 1, 2002. The duration of Trio Sonata for 2 Oboes and Continuo in F, Op. 5, No. 6, HWV 401: 2. Allegro - Adagio is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Trio Sonata for 2 Oboes and Continuo in F, Op. 5, No. 6, HWV 401: 2. Allegro - Adagio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Academy Chamber Ensemble's "Handel: Complete Chamber Music" album is number 2 out of 186. On top of that, Netherlands appears to be the country where this track was created. Trio Sonata for 2 Oboes and Continuo in F, Op. 5, No. 6, HWV 401: 2. Allegro - Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Trio Sonata for 2 Oboes and Continuo in F, Op. 5, No. 6, HWV 401: 2. Allegro - Adagio by George Frideric Handel, Neil Black, Celia Nicklin, George Malcolm, Graham Sheen, Academy of St. Martin in the Fields to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: II. Bourrée | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Minor | 2 | 12A | 103 BPM | ||
Concerto in D Minor for Oboe, Strings and Continuo: II. Adagio | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 1 | 12A | 68 BPM | ||
Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet | Georg Philipp Telemann, Dan Laurin, Arte dei Suonatori | B Major | 2 | 1B | 141 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Noel Symphony No. 4 in D Minor: I. Une jeune pucelle: Moderato | Michel Corrette, Arion Trio | D♭ Minor | 1 | 12A | 106 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Theodora, Hwv 68: Act I Scene 5: Air: Angels, ever bright and fair | George Frideric Handel, Christina Wieland, Frankfurt Baroque Orchestra, Joachim Carlos Martini | B♭ Minor | 0 | 3A | 55 BPM |
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