"Lo, How A Rose E'er Blooming (Es ist ein' Ros' entsprungen)" by Michael Praetorius, Kathleen Battle, Leonard Slatkin, The Boys Choir Of Harlem, Orchestra of St. Luke's, New York Choral Artists was released on 1986. The duration of Lo, How A Rose E'er Blooming (Es ist ein' Ros' entsprungen) is about 3 minutes long, at 3:27. Based on our data, "Lo, How A Rose E'er Blooming (Es ist ein' Ros' entsprungen)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 19 in A Christmas Celebration (Kathleen Battle Edition, Vol. 12) by Kathleen Battle, The Boys Choir Of Harlem, New York Choral Artists, Orchestra of St. Luke's, Leonard Slatkin. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Lo, How A Rose E'er Blooming (Es ist ein' Ros' entsprungen) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lo, How A Rose E'er Blooming (Es ist ein' Ros' entsprungen) by Michael Praetorius, Kathleen Battle, Leonard Slatkin, The Boys Choir Of Harlem, Orchestra of St. Luke's, New York Choral Artists is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Responsory: O felix anima | Hildegard von Bingen, Anonymous 4 | B♭ Minor | 0 | 3A | 103 BPM | ||
Allegri: Miserere - 01. Miserere mei, Deus | Gregorio Allegri, Peter Phillips, The Tallis Scholars | F Major | 1 | 7B | 69 BPM | ||
Pass'emezzo antico: Recercada primera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | A♭ Minor | 2 | 1A | 76 BPM | ||
Pavin of Albarti | Innocentio Alberti, The Rose Consort Of Viols | E Major | 0 | 12B | 78 BPM | ||
Tastar de corde, Recercar dietro | Joan Ambrosio Dalza, Christopher Wilson | G Minor | 0 | 6A | 134 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
Lachrimae Pavin | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 115 BPM | ||
Dances from 'Terpsichore' (1974 Digital Remaster): Spagnoletta (XXVII a 4) | Michael Praetorius, Early Music Consort Of London | C Major | 0 | 8B | 95 BPM | ||
Frogg Galliard | Hopkinson Smith, John Dowland | G Major | 2 | 9B | 119 BPM | ||
La, la, la, je ne l'ose dire | Pierre Certon, Lena Hellström-Färnlöf, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 1 | 6A | 167 BPM |
Section: 0.5507144927978516
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