Alfred Cortot, Johann Sebastian Bach's 'Keyboard Concerto in F Minor, BWV 1056: II. Largo (arr. A. Cortot for piano)' came out on October 26, 2010. The duration of Keyboard Concerto in F Minor, BWV 1056: II. Largo (arr. A. Cortot for piano) is about 3 minutes long, at 3:00. Based on our data, "Keyboard Concerto in F Minor, BWV 1056: II. Largo (arr. A. Cortot for piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 17 in Alfred Cortot: 1929-1937 Recordings by Alfred Cortot. Keyboard Concerto in F Minor, BWV 1056: II. Largo (arr. A. Cortot for piano) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Keyboard Concerto in F Minor, BWV 1056: II. Largo (arr. A. Cortot for piano) by Alfred Cortot, Johann Sebastian Bach is Lento (slowly), since this song has a tempo of 50 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Etudes, L.136: 11. Pour les Arpèges composés | Claude Debussy, Mitsuko Uchida | D♭ Major | 0 | 3B | 73 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Daniel Barenboim | F♯ Major | 0 | 2B | 128 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Tanguy de Williencourt, Théotime Langlois de Swarte | D Major | 0 | 10B | 90 BPM | ||
Piano Quintet in A Major, Op. 81, B. 155: II. Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | B Minor | 0 | 10A | 71 BPM | ||
Sonata in B Minor, K.87 | Domenico Scarlatti, Vladimir Horowitz | B Minor | 0 | 10A | 76 BPM | ||
Etudes, Book 1: No. 5, Arc-en-ciel | György Ligeti, Khatia Buniatishvili | A Major | 0 | 11B | 130 BPM | ||
Siren: Lilacs, Op. 21, No. 5 | Sergei Rachmaninoff | A♭ Major | 0 | 4B | 67 BPM |
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