On January 1, 1985, the song "Mascherade" was released by Anonymous, Konrad Ragossnig, Siegfried Fink, Josef Ulsamer. With Mascherade being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 43 in the song's album "Terpsichore: Renaissance and Early Baroque Dance Music". In this album, this song's track order is #18. In terms of popularity, Mascherade is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Mascherade by Anonymous, Konrad Ragossnig, Siegfried Fink, Josef Ulsamer having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Victimae paschali laudes - Sequentia Tempore Paschali | Gregorian Chant, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | E Minor | 1 | 9A | 131 BPM | ||
Missa Tempore Quadragesimae, MH 553: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 1 | 11B | 128 BPM | ||
Tempo Della Glora E Della Vita. Canto Al Vangelo: Oportebat | Canonici Regolari Si Sant'Antimo | F Major | 1 | 7B | 131 BPM | ||
Liturgy of St. John Chrysostom: No. 13, Our Father | Benedict Sheehan, The Saint Tikhon Choir, Michael Hawes, Jason Thoms | F♯ Major | 1 | 2B | 133 BPM | ||
Otcze Nasz | St. Peter St. Paul Cathedral Choir of Minsk | C Major | 0 | 8B | 84 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: IV. Hallelujah | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 107 BPM | ||
Grant This, O Lord From | The Russian State Symphony Cappella | D♭ Major | 1 | 3B | 68 BPM | ||
Asperges me: Messe à la ville "Repons" | Louis-Nicolas Clérambault, Ensemble Polyphonique de Montparnasse, Victor Martin, Gaston Litaize | G Major | 0 | 9B | 75 BPM | ||
He Intricately Prophesied A Lot | Men's Choir of the Valaam ... | B Major | 2 | 1B | 126 BPM | ||
Let All Mortal Flesh | Father Sergei Glagolev, Cappella Romana | E Minor | 1 | 9A | 67 BPM |
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