Francesco Bendusi, Piffaro, Joan Kimball, Robert Wiemken made "Music for Recorders: Moschetta" available on January 1, 2013. With Music for Recorders: Moschetta being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 398 in the song's album "The History Of Classical Music - Part 1 - From Gregorian Chant To C.P.E. Bach". In this album, this song's track order is #6. Music for Recorders: Moschetta is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Music for Recorders: Moschetta by Francesco Bendusi, Piffaro, Joan Kimball, Robert Wiemken having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Galiarda Veneziana | The Royal Wind Music | B Major | 2 | 1B | 122 BPM | ||
Ein Newes Lautenbüchlein, 1540: Der Bethler Tantz Mit Hupf Auff | Hans Neusidler, Joachim Held | C Major | 1 | 8B | 203 BPM | ||
Suite No. 9 en ré mineur: Courante | Robert de Visée, Sandro Volta | D♭ Major | 0 | 3B | 74 BPM | ||
M. Thomas Collier his Galiard | John Dowland, Jadran Duncumb, Accademia Strumentale Italiana, Alberto Rasi | G Minor | 1 | 6A | 101 BPM | ||
Te Deum, H. 146: VI. Te ergo quæsumus famulis tuis subveni | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM | ||
Lute Sonata No. 6: I. Alemanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 112 BPM | ||
Fantaisie | Lorenzini, Le Poème Harmonique, Vincent Dumestre | A Minor | 0 | 8A | 84 BPM | ||
Brando dicho el Melo | Andrea Falconieri, La Ritirata, Josetxu Obregon | C Major | 6 | 8B | 70 BPM | ||
The Little Consort, Suite No. 7 in G Minor and G Major: III. Courante | Matthew Locke, Phantasm, Elizabeth Kenny | F♯ Major | 1 | 2B | 98 BPM | ||
Tota pulchra es amica mea, F 11.15 - a 2 canto e tenore | Girolamo Frescobaldi, Lorenzo Ghielmi | C Minor | 1 | 5A | 0 BPM |
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