"Le dernier jour d'un condamné / Acte I: Cela n'était pas dans le programme" by David Alagna, Jean-Philippe Lafont, Richard Rittelmann, Chœur régional Vittoria d'Ile de France, Daniel Bargier, Orchestre national d'île-de-France, Michel Plasson had its release date on January 1, 2008. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in David Alagna, Roberto Alagna, Indra Thomas, Richard Rittelmann, Jean-Philippe Lafont, Chœur régional Vittoria d'Ile de France, Orchestre national d'île-de-France, Michel Plasson's "Le Dernier Jour D'Un Condamné" album is number 16 out of 41. On top of that, France appears to be the country where this track was created. In terms of popularity, Le dernier jour d'un condamné / Acte I: Cela n'était pas dans le programme is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le dernier jour d'un condamné / Acte I: Cela n'était pas dans le programme by David Alagna, Jean-Philippe Lafont, Richard Rittelmann, Chœur régional Vittoria d'Ile de France, Daniel Bargier, Orchestre national d'île-de-France, Michel Plasson to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Katiuska - Noche hermosa | Pablo Sorozábal | G Major | 3 | 9B | 85 BPM | ||
Brahm's Lullaby | Johannes Brahms, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM | ||
Deliverance | Roberto Alagna, Aleksandra Kurzak, London Orchestra, Yvan Cassar | F♯ Minor | 5 | 11A | 84 BPM | ||
Ave Verum | Enrico Fortunato | F♯ Minor | 5 | 11A | 128 BPM | ||
When It's Love | Gordon Macrae, Jane Powell | G Major | 6 | 9B | 117 BPM | ||
Ariettes oubliées, CD 63, L. 60 (Arr. for Orchestra by Brett Dean): III. L'ombre des arbres | Claude Debussy, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | B♭ Major | 1 | 6B | 76 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Le dernier jour d'un condamné / Acte I: Huit pieds carrés. Quatre murailles de pierre | David Alagna, Roberto Alagna, Orchestre national d'île-de-France, Michel Plasson | D♭ Major | 1 | 3B | 78 BPM | ||
Gloria | Antonio Cotardo | D Major | 4 | 10B | 127 BPM | ||
Mesícku na nebi hlubokém - Rusalka | Patricia Janečková, Orchester Viva Musica! | F♯ Major | 2 | 2B | 86 BPM |