- BPM
- 100
- Key
- D Major
- Camelot
- 10B
Peer Gynt, Op. 23, Act IV: Solveig's sang (Solveig's Song) (arr. P. Fletcher for guitar) - Edvard Grieg, Peter Fletcher Information
- Acousticness
- 99%
- Danceability
- 47%
- Energy
- 2%
- Instrumentalness
- 88%
- Liveness
- 6%
- Loudness
- 50%
- Speechiness
- 5%
- Valence
- 12%
- Popularity
- 4%
- Loudness
- -29.946 dB
Summary
"Peer Gynt, Op. 23, Act IV: Solveig's sang (Solveig's Song) (arr. P. Fletcher for guitar)" by Edvard Grieg, Peter Fletcher was released on February 4, 2014. With this song being about 5 minutes long, at 5:18, "Peer Gynt, Op. 23, Act IV: Solveig's sang (Solveig's Song) (arr. P. Fletcher for guitar)" by Edvard Grieg, Peter Fletcher is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 23 in Edvard Grieg: Lyric Pieces (Arr. P. Fletcher for Guitar) by Edvard Grieg, Peter Fletcher. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Peer Gynt, Op. 23, Act IV: Solveig's sang (Solveig's Song) (arr. P. Fletcher for guitar) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Peer Gynt, Op. 23, Act IV: Solveig's sang (Solveig's Song) (arr. P. Fletcher for guitar) BPM
The tempo marking of Peer Gynt, Op. 23, Act IV: Solveig's sang (Solveig's Song) (arr. P. Fletcher for guitar) by Edvard Grieg, Peter Fletcher is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Peer Gynt, Op. 23, Act IV: Solveig's sang (Solveig's Song) (arr. P. Fletcher for guitar) Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | |
 | 2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | |
 | Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | |
 | Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM | |
 | Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM | |
 | Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | |
 | Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | |
 | Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | |
 | La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) | Jules Massenet, The New Symphony Orchestra Of London, Raymond Agoult | G Major | 1 | 9B | 82 BPM | |
 | St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM |
- ISRC
- US8271301197
- Label
- L-M Records/RCA Records
Section: 0.6954164505004883
End: 0.6991398334503174