"Ave Maria" by Peter Suda, Hakan Martinsson was released on October 1, 2010. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "The Organ of Österhaninge". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Sweden. Ave Maria is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ave Maria by Peter Suda, Hakan Martinsson having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musicalischer Parnassus: Euterpe, Suite No. 6: Praeludium | Johann Caspar Ferdinand Fischer, Leen de Broekert | F Major | 0 | 7B | 68 BPM | ||
Prelude & Fugue in A Minor, WoO 9: I. Prelude | Johannes Brahms, Konstantin Volostnov | B♭ Minor | 1 | 3A | 73 BPM | ||
12 Variations in C Major on Ah vous dirai-je, maman, K. 265 | Wolfgang Amadeus Mozart, Mario Martinoli | F Minor | 0 | 4A | 75 BPM | ||
Bach, JS: Harpsichord Concerto No. 5 in F Minor, BWV 1056: I. Allegro | Johann Sebastian Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener | E Minor | 2 | 9A | 143 BPM | ||
Violin Concerto in A Minor: I. Allegro | Johann Georg Pisendel, Lina Tur Bonet, Musica Alchemica | E♭ Minor | 4 | 2A | 105 BPM | ||
Concerto pour 2 violons, cordes et basse continue in G Minor, RV 517: III. Allegro | Antonio Vivaldi, Gwennaëlle Alibert, Clément Geoffroy | F♯ Minor | 5 | 11A | 150 BPM | ||
Jesu meine Freude (organ improvisation) | Sietze de Vries, Margaretha Consort, Marit Broekroelofs | C Major | 3 | 8B | 66 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: II. Adagio | Cologne Chamber Orchestra, Gerald Hambitzer, Christoph Anselm Noll, Johann Sebastian Bach | A Minor | 1 | 8A | 81 BPM | ||
Faust: Act II: Adagio | Louis Spohr, Boje Skovhus, Franz Hawlata, Robert Swensen, Hillevi Martinpelto, Alfred Reiter, Rodrigo Orrego, Ulrich Wand, Brigitte Wohlfarth, Christoph Spath, Martina Borst, Stuttgart Sudfunkchor, South West German Radio Kaiserslautern Orchestra, Klaus Arp | A♭ Major | 3 | 4B | 99 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM |
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