Szymon Laks, Henri Lemarchand, Polish Radio Symphony Orchestra, Polish Radio Choir, Łukasz Borowicz made "L'Hirondelle inattendue: 1. Ouverture" available on 2011. The duration of L'Hirondelle inattendue: 1. Ouverture is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. L'Hirondelle inattendue: 1. Ouverture's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Poland Abroad, Vol. 4 - Opera and Ballet". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, L'Hirondelle inattendue: 1. Ouverture is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With L'Hirondelle inattendue: 1. Ouverture by Szymon Laks, Henri Lemarchand, Polish Radio Symphony Orchestra, Polish Radio Choir, Łukasz Borowicz having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite populaire espagnole (Arr. for Cello & Piano): V. Asturiana | Manuel de Falla, Duo Arnicans | F Minor | 0 | 4A | 105 BPM | ||
Sonata for Piano 4 Hands, FP 8: II. Rustique | Francis Poulenc, Charles Owen, Katya Apekisheva | F♯ Major | 0 | 2B | 73 BPM | ||
Prelude Op. 23 No. 3 in D-Minor: Tempo di minuetto | Sergei Rachmaninoff, Park Eun Shik | D Minor | 0 | 7A | 72 BPM | ||
Chôro No. 2, W198 | Heitor Villa-Lobos, Wilhem Latchoumia | B Minor | 3 | 10A | 62 BPM | ||
Echo of Mind | Gina Alice | E♭ Major | 0 | 5B | 68 BPM | ||
Grünfeld: Soirée de Vienne, Op. 56 (Paraphrase on Waltz Motives from Johann Strauss’ Die Fledermaus) | Alfred Grünfeld, Aurélien Pontier | F Minor | 0 | 4A | 72 BPM | ||
Completed Sketches for Piano Sonata, Op. 109, III. - Var. 1: Andante con moto | Ludwig van Beethoven, See Siang Wong | G Major | 1 | 9B | 144 BPM | ||
Melartin : Berceuse, Op. 44 No. 4 (Kehtolaulu) | Erkki Melartin, Kaija Saarikettu, Raija Kerppo | A♭ Major | 0 | 4B | 93 BPM | ||
Variations for Piano, Op. 48: Var. 4. Tempo primo | Xaver Scharwenka, Seta Tanyel | D Minor | 0 | 7A | 121 BPM | ||
Prelude Op. 23 No. 6 in E-Flat Major: Andante | Sergei Rachmaninoff, Park Eun Shik | A♭ Major | 1 | 4B | 151 BPM |
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