Johan August Soderman, Academy Chamber Choir of Uppsala, Stefan Parkman made "Ur Idyll och Epigram: I. När den sköna Maj med Sippor kommit" available on May 1, 1997. With Ur Idyll och Epigram: I. När den sköna Maj med Sippor kommit being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Swedish A Cappella, Vol. 1". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Ur Idyll och Epigram: I. När den sköna Maj med Sippor kommit is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Ur Idyll och Epigram: I. När den sköna Maj med Sippor kommit by Johan August Soderman, Academy Chamber Choir of Uppsala, Stefan Parkman having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Körvisor: No. 2, I seraillets have | Wilhelm Stenhammar, Ars Nova Copenhagen, Paul Hillier | D Major | 0 | 10B | 78 BPM | ||
Kiitos Herra elämästä | Kamarikuoro Melodiam, Juha Soranta | F♯ Minor | 2 | 11A | 118 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
Six Moravian Choruses: III. Forsaken | Leoš Janáček, Cappella Amsterdam, Daniel Reuss | A♭ Major | 1 | 4B | 137 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Now Is the Hour | John Wells, New Zealand Youth Choir | E♭ Major | 0 | 5B | 78 BPM | ||
Lord, Grant Me Mercy | Choir of the New Apostolic Church, Cape Town | D Major | 1 | 10B | 129 BPM | ||
Dostojno Jestj | Slavisch Byzantijns Koor Zwolle | B♭ Major | 1 | 6B | 117 BPM | ||
Lille Almanak – Little Almanac 3 | Finn Mathiassen, Harald Herdal, Jens Peter Jacobsen, Musikstuderendes Kammerkor | G Minor | 0 | 6A | 75 BPM | ||
Im Walde | Friedrich Wilhelm Kücken, ffortissibros, Benedikt Kantert | A♭ Major | 1 | 4B | 65 BPM |
Section: 0.5104625225067139
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