Strike up the Band (Strike up the Band) - 1990 Remix / Remaster
Count Basie, Tony Bennett, Tristan Powell
Basie Swings, Bennett Sings
1:34 1959
BPM
125
Key
G Minor
Camelot
6A

Embed

Share Link

Strike up the Band (Strike up the Band) - 1990 Remix / Remaster - Count Basie, Tony Bennett, Tristan Powell Information

Acousticness
74%
Danceability
49%
Energy
47%
Instrumentalness
0%
Liveness
6%
Loudness
82%
Speechiness
13%
Valence
84%
Popularity
Loudness
-11.007 dB

Summary

On 1959, the song "Strike up the Band (Strike up the Band) - 1990 Remix / Remaster" was released by Count Basie, Tony Bennett, Tristan Powell. With Strike up the Band (Strike up the Band) - 1990 Remix / Remaster being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 12 in Basie Swings, Bennett Sings by Count Basie, Tony Bennett. Based on our statistics, Strike up the Band (Strike up the Band) - 1990 Remix / Remaster's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Strike up the Band (Strike up the Band) - 1990 Remix / Remaster BPM

The tempo marking of Strike up the Band (Strike up the Band) - 1990 Remix / Remaster by Count Basie, Tony Bennett, Tristan Powell is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Strike up the Band (Strike up the Band) - 1990 Remix / Remaster Key

G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
No Moon At All by Jeri SouthernNo Moon At AllJeri SouthernE Minor19A117 BPM
Them There Eyes by Ella Fitzgerald, Count BasieThem There EyesElla Fitzgerald, Count BasieG Minor26A172 BPM
Hello, Dolly! (from Hello, Dolly!) by Frank Sinatra, Count BasieHello, Dolly! (from Hello, Dolly!)Frank Sinatra, Count BasieG Minor66A186 BPM
When You're Smiling (The Whole World Smiles With You) by Benny Goodman TrioWhen You're Smiling (The Whole World Smiles With You)Benny Goodman TrioE♭ Major35B157 BPM
She's A Woman (W-o-m-a-n) by Sammy Davis Jr., Count BasieShe's A Woman (W-o-m-a-n)Sammy Davis Jr., Count BasieD Minor47A102 BPM
Cheek to Cheek by Steve TyrellCheek to CheekSteve TyrellC Major48B150 BPM
Old Devil Moon by Margaret WhitingOld Devil MoonMargaret WhitingF Major37B103 BPM
They All Laughed by Tony BennettThey All LaughedTony BennettA Minor28A142 BPM
Bottoms Up by Illinois JacquetBottoms UpIllinois JacquetD♭ Major33B197 BPM
All Dressed Up With a Broken Heart by Chris ConnorAll Dressed Up With a Broken HeartChris ConnorE♭ Major25B118 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.45250391960144043

End: 0.45610642433166504