Antônio Carlos Gomes, Enrico Caruso's 'Act II: L'importuna insistenza ... Quando nascesti tu' came out on 1990. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Act II: L'importuna insistenza ... Quando nascesti tu is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Act II: L'importuna insistenza ... Quando nascesti tu by Antônio Carlos Gomes, Enrico Caruso is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mormorio | Antônio Carlos Gomes, Lúcia Barrenechea | A♭ Major | 1 | 4B | 74 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | D Minor | 2 | 7A | 135 BPM | ||
Cavalleria rusticana: "Mamma, quel vino è generoso" | Pietro Mascagni, Maria Gracia Allegri, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 92 BPM | ||
Polovtsian Dances from Prince Igor: VI. Moderato alla breve | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
Hoffmanns Erzählungen (Les Contes d'Hoffmann): "Aus dem Keller kommt hervor, Geister des Weines!" | Jacques Offenbach, Orchester der Deutschen Oper Berlin, Richard Kraus, RIAS Kammerchor, Günther Arndt | C Major | 3 | 8B | 120 BPM | ||
Rusalka, Op. 114 / Act 1: Hou, hou, hou, stojí mésic nad vodou! | Antonín Dvořák, Dana Buresova, Hana Minutillo, Livia Aghova, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
Aleko: Introduction | Sergei Rachmaninoff, Mariana Zvetkova, Andreana Nikolova, Boiko Zvetanov, Alexander Tekeliev, Peter Naydenov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Nayden Todorov | E♭ Major | 3 | 5B | 82 BPM | ||
Dvorak Symphony No 8 Sht | Belize Ensemble | G Major | 0 | 9B | 61 BPM | ||
Serenade for Strings in C, Op. 48: 2. Walzer: Moderato (Tempo di valse) | Pyotr Ilyich Tchaikovsky, Saito Kinen Orchestra, Seiji Ozawa | E♭ Major | 0 | 5B | 111 BPM | ||
Die Walkure: Act III Scene 1: Walkurenritt: Hojotoho! Heiaha! (Gerhilde, Helmwige, Waltraute, Schwertleite, Ortlinde, Siegrune, Grimgerde, Rossweisse) | Richard Wagner, Endrik Wottrich, Kwangchul Youn, Albert Dohmen, Eva-Maria Westbroek, Linda Watson, Michelle Breedt, Sonja Muhleck, Anna Gabler, Martina Dike, Simone Schroder, Edith Haller, Wilke te Brummelstroete, Annette Kuttenbaum, Manuela Bress, Bayreuth Festival Orchestra, Christian Thielemann | E Minor | 3 | 9A | 91 BPM |
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