"6 Etudes pour la main gauche seule, Op. 135: VI. Gigue. Presto" by Camille Saint-Saëns, Piers Lane was released on October 1, 1998. With 6 Etudes pour la main gauche seule, Op. 135: VI. Gigue. Presto being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Saint-Saëns: The Complete Etudes for Piano". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, 6 Etudes pour la main gauche seule, Op. 135: VI. Gigue. Presto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Etudes pour la main gauche seule, Op. 135: VI. Gigue. Presto by Camille Saint-Saëns, Piers Lane having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
48 Esquisses, Op. 63, Book 3: No. 31, Début de quatuor | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
Piano Sonata No. 7 in C Major, K. 309: II. Andante un poco adagio | Wolfgang Amadeus Mozart, Jerome Hantai | A Minor | 3 | 8A | 95 BPM | ||
12 Études, CD 143: No. 7, Pour les degrés chromatiques | Claude Debussy, Steven Osborne | G Minor | 0 | 6A | 70 BPM | ||
Le Couperin de Figueras | Francisco García Álvarez, Diego Fernández Magdaleno | A Minor | 0 | 8A | 209 BPM | ||
VI. Fugue | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM | ||
12 Petite Pieces Pour Le Clavecin: No. 6 Andante | Wolfgang Amadeus Mozart, Irene Cantos | E♭ Major | 2 | 5B | 132 BPM | ||
Intimate Sketches: No. 6, So You Can Never Return | Leoš Janáček, Olena Kushpler | D♭ Minor | 0 | 12A | 74 BPM | ||
Concert Caprice on Norwegian Melodies | Johan Halvorsen, Emmanuele Baldini, Leonardo Bock | G Major | 1 | 9B | 100 BPM | ||
Hymn to the Sun | Nikolai Rimsky-Korsakov, Manuel del Corral | F Major | 0 | 7B | 111 BPM | ||
Mozart: Flute Sonata in G Major, K. 379: II. (b) Andantino cantabile. Variation I (Transcr. of Violin Sonata) | Wolfgang Amadeus Mozart, Emmanuel Pahud, Eric Le Sage | C Major | 2 | 8B | 92 BPM |
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