On January 1, 1993, the song "Branle de la torche" was released by Michael Praetorius, Baltimore Consort. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Renaissance Music (Instrumental and Vocal) - Le Roy, A. / Praetorius, M. / Bassano, G. / Phalese, P. (La Rocque' N' Roll)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Branle de la torche is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Branle de la torche by Michael Praetorius, Baltimore Consort having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 96 BPM | ||
Susato: 12 Dances from the Danserye: VII. Basse danse Bergeret sans Roch and Reprise | Tylman Susato, Early Music Consort Of London | C Major | 7 | 8B | 158 BPM | ||
Suite I: Pavane Passamaize I | Claude Gervaise, Christian Mendoze | F Major | 2 | 7B | 130 BPM | ||
Libera Nos, Salva Nos à 5 | Thomas Tallis, Fretwork | C Minor | 0 | 5A | 131 BPM | ||
Im Maien | Piffaro | E Minor | 4 | 9A | 119 BPM | ||
Terpsichore*: Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 1 | 9B | 101 BPM | ||
Tout par compas suy composés | Baude Cordier, Ferrara Ensemble, Crawford Young | E Minor | 0 | 9A | 90 BPM | ||
The Frog Galliard (P 23a) | John Dowland, Paul O'Dette | F Major | 1 | 7B | 106 BPM | ||
Gagliarda | Giorgio Mainerio, Il Giardino Armonico, Giovanni Antonini | E♭ Major | 2 | 5B | 176 BPM | ||
All in a garden green | Anon, Trinity Baroque, Martin Pope, Steven Player, Julian Podger, The Forbury Consort, The Holbein Consort, Alan Crumpler | G Major | 0 | 9B | 93 BPM |