André Rieu's 'You Can't Be True, Dear' came out on January 1, 2011. The duration of You Can't Be True, Dear is about 3 minutes long, at 3:08. Based on our data, "You Can't Be True, Dear" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 17 in And The Waltz Goes On by André Rieu. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of You Can't Be True, Dear is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of You Can't Be True, Dear by André Rieu is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ondas del Danubio | Orquesta Concierto de Viena | A Minor | 2 | 8A | 176 BPM | ||
El Valsa Lara's Theme - Doutor Jivago | Zantalino y su Orquesta | A♭ Major | 5 | 4B | 77 BPM | ||
Summertime In Venice | Gary Freeman | B♭ Major | 5 | 6B | 172 BPM | ||
The Windsor Waltz | André Rieu, Johann Strauss Orchestra | C Major | 4 | 8B | 89 BPM | ||
Einsamer Hirte | Dirk Schiefen | F Minor | 3 | 4A | 136 BPM | ||
Las Verdes y Bellas Campinas | Orquesta Concierto de Viena | D♭ Major | 2 | 3B | 141 BPM | ||
La Pastorella | Kevin Pabst | E♭ Major | 5 | 5B | 98 BPM | ||
El Condor Pasa | Nicolas de Angelis | B Minor | 3 | 10A | 81 BPM | ||
Qué mundo tan maravilloso - What a Wonderful World | Waldo De Los Ríos | F Major | 3 | 7B | 95 BPM | ||
Im Prater Blüh'n Wieder Die Bäume - Live Version | Robert Stolz, André Rieu, Johann Strauss Orchestra | F Major | 5 | 7B | 94 BPM |
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