"Mass for Four Voices: V. Benedictus" by William Byrd, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Jeremy Filsell, Gerre Hancock was released on December 1, 2023. With Mass for Four Voices: V. Benedictus being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 36 in Byrd: Sacred Works by William Byrd, Jeremy Filsell, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Gerre Hancock. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Mass for Four Voices: V. Benedictus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass for Four Voices: V. Benedictus by William Byrd, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Jeremy Filsell, Gerre Hancock is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe vidi turbam magnam: No. 7, Agnus dei | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 1 | 7B | 67 BPM | ||
Madrigali - Six "FireSongs" on Italian Renaissance Poems: VI. Se per havervi, oimé | Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt | D♭ Major | 0 | 3B | 51 BPM | ||
Tantum ergo, WAB 42 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | A Major | 2 | 11B | 135 BPM | ||
In Nomine - "Re la re": In Nomine - "Re la re" | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | D♭ Minor | 0 | 12A | 0 BPM | ||
Missa, "Myn herte heeft altyt verlanghen": Missa Myn hert: Kyrie | Mathieu Gascongne, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 100 BPM | ||
The Bells, BK 38 | William Byrd, Mishka Rushdie Momen | C Major | 0 | 8B | 70 BPM | ||
Afferentur regi, WAB 1 | Anton Bruckner, SWR Vokalensemble Stuttgart, Tobias Unger, Florian Metzger, Harald Matjacic, Marcus Creed | F Major | 0 | 7B | 92 BPM | ||
Herr, ich warte auf dein Heil | Johann Michael Bach, Vox Luminis, Lionel Meunier | C Major | 1 | 8B | 106 BPM | ||
Byrd: Ne Irascaris, Domine - 2. Civitas Sancti Tui | William Byrd, Peter Phillips, The Tallis Scholars | A♭ Major | 1 | 4B | 141 BPM | ||
Beati quorum via | Charles Villiers Stanford, The Sixteen, Harry Christophers | A♭ Major | 1 | 4B | 133 BPM |
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