Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 - Richard Strauss, Chicago Symphony Orchestra, Sir Georg Solti Information

Acousticness: 90%
Danceability: 19%
Energy: 19%
Instrumentalness: 85%
Liveness: 34%
Loudness: 70%
Speechiness: 5%
Valence: 13%
Popularity: 0%
Loudness: -18.111 dB

Summary

"Till Eulenspiegels lustige Streiche, Op. 28, TrV 171" by Richard Strauss, Chicago Symphony Orchestra, Sir Georg Solti was released on June 11, 2021. Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 appears to be safe for all ages as it is not explicit. There are a total of 75 in the song's album "Richard Strauss". In this album, this song's track order is #11. Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 BPM

With Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 by Richard Strauss, Chicago Symphony Orchestra, Sir Georg Solti having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 Key

This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Concerto No. 2 in A Major, Op. 5: II. Largo	Joseph Boulogne Chevalier de Saint-Georges, Anne-Sophie Mutter, Mutter's Virtuosi	D Minor	1	7A	104 BPM
Kinderszenen, Op.15: 13. Der Dichter spricht	Robert Schumann, Martha Argerich	G Major	0	9B	169 BPM
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	C Major	1	8B	96 BPM
String Quartet No.14 In C Sharp Minor, Op.131: 6. Adagio quasi un poco andante	Ludwig van Beethoven, Emerson String Quartet	A♭ Minor	0	1A	91 BPM
Elektra: Xi. Was bluten muss?	Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler	A♭ Major	2	4B	106 BPM
Fantasia in C Minor, Op. 80 "Choral Fantasy": I. Adagio	Ludwig van Beethoven, Leif Ove Andsnes, Mahler Chamber Orchestra	C Minor	1	5A	149 BPM
Elektra: Ii. Allein! Weh, ganz allein	Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler	D♭ Major	5	3B	118 BPM
Album Leaf for Kateřina Kolářová in B Major, JB 1:20	Bedřich Smetana, Jitka Čechová	B Major	0	1B	70 BPM
Stimmungsbilder Op. 9, TrV 128: II. An einsamer Quelle	Richard Strauss, Guillaume Bellom	F Minor	1	4A	64 BPM
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace	Antonín Dvořák, New York Philharmonic, Alan Gilbert	C Major	1	8B	121 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.9376311302185059

End: 0.9421825408935547