- BPM
- 132
- Key
- B♭ Major
- Camelot
- 6B
Die Entführung aus dem Serail, K. 384: Welcher Kummer herrscht - Traurigkeit ward mir zum Lose - Wolfgang Amadeus Mozart, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer Information
- Acousticness
- 96%
- Danceability
- 42%
- Energy
- 15%
- Instrumentalness
- 1%
- Liveness
- 8%
- Loudness
- 64%
- Speechiness
- 5%
- Valence
- 31%
- Popularity
- 0%
- Loudness
- -21.576 dB
Summary
Wolfgang Amadeus Mozart, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer's 'Die Entführung aus dem Serail, K. 384: Welcher Kummer herrscht - Traurigkeit ward mir zum Lose' came out on December 9, 2016. Since Die Entführung aus dem Serail, K. 384: Welcher Kummer herrscht - Traurigkeit ward mir zum Lose is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 12 in Arier: Ch'il bel sogno by Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Based on our statistics, Die Entführung aus dem Serail, K. 384: Welcher Kummer herrscht - Traurigkeit ward mir zum Lose's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Die Entführung aus dem Serail, K. 384: Welcher Kummer herrscht - Traurigkeit ward mir zum Lose BPM
The tempo marking of Die Entführung aus dem Serail, K. 384: Welcher Kummer herrscht - Traurigkeit ward mir zum Lose by Wolfgang Amadeus Mozart, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Die Entführung aus dem Serail, K. 384: Welcher Kummer herrscht - Traurigkeit ward mir zum Lose Key
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto No. 27 in B-Flat Major, K. 595: 2. Larghetto - Live | Wolfgang Amadeus Mozart, Mitsuko Uchida, Cleveland Orchestra | E♭ Major | 0 | 5B | 72 BPM | |
 | Sinfonia concertante for Violin, Viola and Orchestra in E-Flat Major, K. 364: II. Andante | Wolfgang Amadeus Mozart, Gordan Nikolić, Julia Fischer, Netherlands Chamber Orchestra, Yakov Kreizberg | C Minor | 1 | 5A | 78 BPM | |
 | Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | |
![Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123] by Carl Philipp Emanuel Bach, Giovanni Mazzocchin](https://i.scdn.co/image/ab67616d00001e02b03d3ef34d5769b0e3f94feb) | Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | |
 | Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | |
 | Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | |
 | Nocturne No.13 In C Minor, Op.48 No.1 | Frédéric Chopin, Maurizio Pollini | C Minor | 1 | 5A | 169 BPM | |
 | Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | |
 | Violin Concerto No. 1 in A Minor, BWV 1041: I. Allegro moderato | Johann Sebastian Bach, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | A Minor | 3 | 8A | 105 BPM |
- ISRC
- DKBW51600306
- Label
- L-M Records/RCA Records
Section: 0.7680754661560059
End: 0.7719681262969971