Domenico Cimarosa, Vienna State Opera Orchestra, Felix Prohaska, André Lardrot's 'Cimarosa: Oboe Concerto, III. Siciliana' came out on October 13, 2017. The duration of Cimarosa: Oboe Concerto, III. Siciliana is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Cimarosa: Oboe Concerto, III. Siciliana's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 90 in Big Italian Music Box by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Cimarosa: Oboe Concerto, III. Siciliana is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cimarosa: Oboe Concerto, III. Siciliana by Domenico Cimarosa, Vienna State Opera Orchestra, Felix Prohaska, André Lardrot is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | B♭ Major | 0 | 6B | 89 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
Württemberg Sonatas / Sonata No. 4 in B-Flat Major, H. 32: II. Andante | Carl Philipp Emanuel Bach, Keith Jarrett | G Minor | 1 | 6A | 206 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: IV. Larghetto | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | A Major | 1 | 11B | 79 BPM | ||
Keyboard Sonata No. 42 in D Minor: Andantino | Domenico Cimarosa, Donatella Failoni | C Major | 3 | 8B | 108 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM |
Section: 0.6851282119750977
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