"Yaoum Essafar" by Nasri Shamseddine was released on January 1, 1993. Yaoum Essafar is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The song is number 14 out of 20 in Best of Nasri Shamseddine by Nasri Shamseddine. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Yaoum Essafar is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Yaoum Essafar by Nasri Shamseddine is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aatpak | Mohamed Mohie | B♭ Major | 6 | 6B | 107 BPM | ||
Ah Yany Men El Hana | Warda | F Major | 4 | 7B | 96 BPM | ||
Cherwal Jeddak Ya Jeddi 2 | Toni Hanna | B Minor | 7 | 10A | 160 BPM | ||
Ya Tera Tiri | Sabah Fakhri | A♭ Major | 7 | 4B | 98 BPM | ||
Law Naweit | George Wassouf | F Minor | 7 | 4A | 132 BPM | ||
Ereft Rabbak | Jannat | F Minor | 5 | 4A | 144 BPM | ||
Hakollak Hagah | Warda | G Major | 3 | 9B | 111 BPM | ||
Wa'adouni | Salwa El Katrib | C Minor | 5 | 5A | 125 BPM | ||
Ghazal | Kadim Al Sahir | C Minor | 10 | 5A | 100 BPM | ||
Ya Mwaldani | George Wassouf | E♭ Major | 8 | 5B | 131 BPM |
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