Histoire du soldat (The Soldier's Tale) (arr. N. Mamangakis): Music to Scene II - Igor Stravinsky, Elena Papandreou Information

Acousticness: 99%
Danceability: 47%
Energy: 0%
Instrumentalness: 54%
Liveness: 8%
Loudness: 43%
Speechiness: 8%
Valence: 9%
Popularity: 1%
Loudness: -34.161 dB

Summary

"Histoire du soldat (The Soldier's Tale) (arr. N. Mamangakis): Music to Scene II" by Igor Stravinsky, Elena Papandreou was released on March 20, 1998. The duration of Histoire du soldat (The Soldier's Tale) (arr. N. Mamangakis): Music to Scene II is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Histoire du soldat (The Soldier's Tale) (arr. N. Mamangakis): Music to Scene II's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Elena Papandreou's "Guitar Recital: Elena Papandreou" album is number 7 out of 24. In terms of popularity, Histoire du soldat (The Soldier's Tale) (arr. N. Mamangakis): Music to Scene II is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Histoire du soldat (The Soldier's Tale) (arr. N. Mamangakis): Music to Scene II BPM

We consider the tempo marking of Histoire du soldat (The Soldier's Tale) (arr. N. Mamangakis): Music to Scene II by Igor Stravinsky, Elena Papandreou to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Histoire du soldat (The Soldier's Tale) (arr. N. Mamangakis): Music to Scene II Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Six Pieces For Orchestra, Op. 6 - Original Version (1909): I. Etwas bewegt	Anton Webern, Berliner Philharmoniker, Pierre Boulez	B Major	0	1B	167 BPM
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto)	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	73 BPM
Charterhouse Suite: Quick Dance	Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones	E Minor	1	9A	120 BPM
Borodin - String Quartet No.2 in D major: Scherzo: Allegro	Alexander Borodin, Borodin Quartet	C Major	2	8B	121 BPM
Le Sacre du Printemps / Pt 1: L'Adoration de la Terre: 2. Les augures printaniers - Danses des adolescentes - Live	Igor Stravinsky, Lucerne Festival Orchestra, Riccardo Chailly	A♭ Minor	3	1A	104 BPM
Pini di Roma, P. 141: I. I pini di Villa Borghese	Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta	D♭ Minor	1	12A	130 BPM
Le tombeau de Couperin, M. 68: II. Forlane	Maurice Ravel, Cleveland Orchestra, Pierre Boulez	E♭ Major	0	5B	78 BPM
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto	Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra	G Major	0	9B	142 BPM
String Quartet in F Major: IV. Vif et agite	Maurice Ravel, Cavani Quartet	D Minor	1	7A	140 BPM
Le tombeau de Couperin, M. 68: IV. Rigaudon	Maurice Ravel, Cleveland Orchestra, Pierre Boulez	C Major	1	8B	174 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6909244060516357

End: 0.6968445777893066