Georg Philipp Telemann, Antoine Tamestit, Sabine Fehlandt's 'Canonic Sonata for Two Violas in D Minor, TWV 40:121: Canonic Sonata for Two Violas in D Minor, TWV 40:121: II. Piacevole non largo' came out on January 7, 2022. The duration of Canonic Sonata for Two Violas in D Minor, TWV 40:121: Canonic Sonata for Two Violas in D Minor, TWV 40:121: II. Piacevole non largo is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Canonic Sonata for Two Violas in D Minor, TWV 40:121: Canonic Sonata for Two Violas in D Minor, TWV 40:121: II. Piacevole non largo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Georg Philipp Telemann, Antoine Tamestit, Akademie für Alte Musik Berlin, Sabine Fehlandt, Bernhard Forck's "Georg Philipp Telemann: Viola Concertos - Overtures - Fantasias" album is number 13 out of 33. On top of that, France appears to be the country where this track was created. The popularity of Canonic Sonata for Two Violas in D Minor, TWV 40:121: Canonic Sonata for Two Violas in D Minor, TWV 40:121: II. Piacevole non largo is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Canonic Sonata for Two Violas in D Minor, TWV 40:121: Canonic Sonata for Two Violas in D Minor, TWV 40:121: II. Piacevole non largo by Georg Philipp Telemann, Antoine Tamestit, Sabine Fehlandt to be Vivace (lively and fast) because the track has a tempo of 164 BPM, a half-time of 82BPM, and a double-time of 328 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: IV. Vivace | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D♭ Major | 1 | 3B | 115 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 141 BPM | ||
Adagio & Fugue | Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 114 BPM | ||
Telemann: Nouveaux quatuors "Paris Quartets", No. 2 in A Minor, TWV 43:a2: II. Flatteusement | Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt | A Major | 1 | 11B | 143 BPM | ||
Sonata a 5 in D Major: II. (Allegro) | Giuseppe Torelli, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 3 | 3B | 106 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
12 Flute Sonatas (1724), Flute Sonata No. 2 in E Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 75 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM |
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