"Los Angeles" by Tomandandy was released on 2010. The duration of Los Angeles is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Los Angeles's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Resident Evil: Afterlife (Original Motion Picture Soundtrack)". In this album, this song's track order is #10. In terms of popularity, Los Angeles is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Los Angeles by Tomandandy having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Epilogue | Sean Murray | D Minor | 2 | 7A | 67 BPM | ||
Men of Iron | Music Junkies, Ars Arcana | D♭ Major | 6 | 3B | 172 BPM | ||
The Enforcers | Olivier Deriviere | G Minor | 3 | 6A | 86 BPM | ||
Mona Lisa Overdrive | Juno Reactor | B♭ Minor | 8 | 3A | 137 BPM | ||
Break a Leg, Briggs | Mike Zarin, Tony Hajjar | A Major | 7 | 11B | 145 BPM | ||
Cosmology | Stephen Barton | D♭ Minor | 2 | 12A | 102 BPM | ||
Rampage | Tilman Sillescu | B Minor | 6 | 10A | 120 BPM | ||
We're Dealing with Pros | Mike Zarin, Tony Hajjar | B♭ Minor | 10 | 3A | 125 BPM | ||
A Long Way Back | Jon Ekstrand | D♭ Major | 3 | 3B | 104 BPM | ||
The Road to Shambhala | Carmen Rizzo | E Minor | 5 | 9A | 90 BPM |
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