"Atys, Acte IV, Scène 2 - Scène 3: "Belle nymphe" (Célénus)" by Jean-Baptiste Lully, Jean-François Gardeil, Agnes Mellon, Les Arts Florissants, William Christie was released on February 28, 1987. The duration of Atys, Acte IV, Scène 2 - Scène 3: "Belle nymphe" (Célénus) is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Atys, Acte IV, Scène 2 - Scène 3: "Belle nymphe" (Célénus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Les Arts Florissants, William Christie's "Lully: Atys" album is number 3 out of 74. Atys, Acte IV, Scène 2 - Scène 3: "Belle nymphe" (Célénus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Atys, Acte IV, Scène 2 - Scène 3: "Belle nymphe" (Célénus) by Jean-Baptiste Lully, Jean-François Gardeil, Agnes Mellon, Les Arts Florissants, William Christie to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Atys, Acte IV, Scène 6: "Venez former" (Chœur de Dieux & Divinités) | Jean-Baptiste Lully, Guy De Mey, Jean-François Gardeil, Bernard Deletré, Les Arts Florissants, William Christie | B Major | 2 | 1B | 91 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Le Tic-Toc-Choc ou Les Maillotins (18e ordre) | François Couperin, Alexandre Tharaud | F Major | 3 | 7B | 133 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro | Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel | A Major | 1 | 11B | 99 BPM | ||
Le bourgeois gentilhomme, LWV 43, Act V Final scene: Le Ballet des Nations. Première Entrée – Le Donneur de Livres. | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Virgile Ancely, Zachary Wilder, Serge Goubioud, Claire Lefilliâtre, Marc Mauillon, Geoffroy Buffière | B♭ Major | 5 | 6B | 92 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM |
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