Hadarah BatYah's 'Praise Be to Yahuah' came out on November 19, 2015. The duration of Praise Be to Yahuah is about 3 minutes long, at 3:03. Based on our data, "Praise Be to Yahuah" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Yahuah Acoustics Vol.2 by Hadarah BatYah. The song's track number on the album is #6 out of 6 tracks. Praise Be to Yahuah is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Praise Be to Yahuah by Hadarah BatYah has a tempo of 65 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Praise Be to Yahuah being at 65 BPM, the half-time would be 32 BPM with a double-time of 130 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Melancholy | Charlene Nash | D Minor | 4 | 7A | 90 BPM | ||
Who We're Waiting For | Uncle Reece | A♭ Minor | 6 | 1A | 156 BPM | ||
Thank You | Pastor Mike Jr. | F♯ Major | 8 | 2B | 78 BPM | ||
New Every Morning | Ryan Ofei | A♭ Major | 1 | 4B | 86 BPM | ||
Unfailing Love | All Nations Music | F♯ Major | 6 | 2B | 84 BPM | ||
I Say Yes | Samuel Medas | D♭ Major | 2 | 3B | 86 BPM | ||
I Love The Lord | Erica Campbell, Richard Smallwood and Vision | D Major | 5 | 10B | 83 BPM | ||
Not There Yet | Gene Moore | F♯ Minor | 5 | 11A | 130 BPM | ||
All True | Jonathan McReynolds | E Minor | 3 | 9A | 174 BPM | ||
I Prefer | Marv | A♭ Minor | 7 | 1A | 140 BPM |
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