"Piano Concerto No. 2 In C Minor, Op. 18: Piano Concerto No. 2 In C Minor: Ii. Adagio Sostenuto" by Sergei Rachmaninoff, Budapest Symphony Orchestra, Jenő Jandó was released on October 28, 1991. Piano Concerto No. 2 In C Minor, Op. 18: Piano Concerto No. 2 In C Minor: Ii. Adagio Sostenuto appears to be safe for all ages as it is not explicit. There is only one song in 101 Great Orchestral Classics, Vol. 5, so we believe that "Piano Concerto No. 2 In C Minor, Op. 18: Piano Concerto No. 2 In C Minor: Ii. Adagio Sostenuto" is a single. In terms of popularity, Piano Concerto No. 2 In C Minor, Op. 18: Piano Concerto No. 2 In C Minor: Ii. Adagio Sostenuto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 2 In C Minor, Op. 18: Piano Concerto No. 2 In C Minor: Ii. Adagio Sostenuto by Sergei Rachmaninoff, Budapest Symphony Orchestra, Jenő Jandó is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 1 in D Minor, Op. 75: I. Allegro agitato | Camille Saint-Saëns, Joshua Bell, Jeremy Denk | D Minor | 1 | 7A | 102 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Esa-Pekka Salonen | G Minor | 1 | 6A | 137 BPM | ||
Gnossienne No.1: Avec etonnement | Erik Satie, Klara Kormendi | F Major | 0 | 7B | 74 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Romeo and Juliet, Op.64: Montagues and Capulets | Sergei Prokofiev, Rotterdam Philharmonic Orchestra, Edo de Waart | A Minor | 1 | 8A | 113 BPM | ||
Variations on a Theme of Chopin, Op. 22: Variation No. 16 Lento | Sergei Rachmaninoff, Daniil Trifonov | D♭ Major | 0 | 3B | 177 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Mariinsky Orchestra, Valery Gergiev | A Minor | 0 | 8A | 77 BPM | ||
Kinderscenen, Op. 15: I. Von fremden Landern und Menschen (Of Foreign Lands and People) | Robert Schumann, Evelyne Dubourg | G Major | 0 | 9B | 68 BPM | ||
Mozart-Adagio | Arvo Pärt, Angèle Dubeau, La Pietà | F Minor | 0 | 4A | 82 BPM |
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