"Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance" by Dmitri Shostakovich, Daniel Hope, Maxim Shostakovich, BBC Symphony Orchestra was released on February 1, 2006. Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Shostakovich: Violin Concertos Nos. 1 & 2". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance by Dmitri Shostakovich, Daniel Hope, Maxim Shostakovich, BBC Symphony Orchestra having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 7. Troyte (Presto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 5 | 8B | 157 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | E♭ Major | 0 | 5B | 81 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, James Buswell, Royal Scottish National Orchestra, Marin Alsop | E Major | 0 | 12B | 82 BPM | ||
Vocalise Opus 34 No. 14 | Sergei Rachmaninoff, Nicola Benedetti | D♭ Minor | 1 | 12A | 92 BPM | ||
Hommage à J.S.B.: II. Andantino | Valentin Silvestrov, Daniel Hope, Alexey Botvinov | G Major | 1 | 9B | 127 BPM | ||
I giorni (Arr. For Violin, Piano And String Orchestra) | Ludovico Einaudi, Daniel Hope, Jacques Ammon, Deutsches Kammerorchester Berlin | D Major | 1 | 10B | 75 BPM | ||
16 Waltzes, Op. 39 (arr. for orchestra): 16 Waltzes, Op. 39: No. 15. in A flat major (arr. for orchestra) | Various Artists | F Major | 0 | 7B | 65 BPM | ||
Rêverie, L. 68 (Arr. by Badzura) | Claude Debussy, Daniel Hope, Zürcher Kammerorchester | F Major | 1 | 7B | 82 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM |
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