- BPM
- 70
- Key
- D♭ Minor
- Camelot
- 12A
Fantasie über ein Skizzenblatt Beethovens: II. Adagio - Martin Stadtfeld Information
- Acousticness
- 99%
- Danceability
- 18%
- Energy
- 2%
- Instrumentalness
- 91%
- Liveness
- 11%
- Loudness
- 45%
- Speechiness
- 4%
- Valence
- 8%
- Popularity
- 1%
- Loudness
- -33.18 dB
Summary
"Fantasie über ein Skizzenblatt Beethovens: II. Adagio" by Martin Stadtfeld was released on April 10, 2020. The duration of Fantasie über ein Skizzenblatt Beethovens: II. Adagio is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Fantasie über ein Skizzenblatt Beethovens: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 28 in Beethoven für Kinder by Ludwig van Beethoven, Martin Stadtfeld. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Fantasie über ein Skizzenblatt Beethovens: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Fantasie über ein Skizzenblatt Beethovens: II. Adagio BPM
The tempo marking of Fantasie über ein Skizzenblatt Beethovens: II. Adagio by Martin Stadtfeld is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Fantasie über ein Skizzenblatt Beethovens: II. Adagio Key
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sarabande Piano Meditation (After Sarabande from Suite in D Minor, HWV 437) | George Frideric Handel, Martin Stadtfeld | D Minor | 0 | 7A | 103 BPM | |
 | Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | |
 | Schwanenlied | Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli | G Minor | 1 | 6A | 143 BPM | |
 | Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F♯ Major | 0 | 2B | 77 BPM | |
 | Prelude Piano Variation (After Prelude from Violin Sonata in F Major, Op. 5, No. 10) | Arcangelo Corelli, Martin Stadtfeld | F Major | 2 | 7B | 78 BPM | |
 | 9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppo | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | |
 | Romance in F Minor, Op. 11, B. 38 (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | B♭ Minor | 0 | 3A | 209 BPM | |
 | Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | |
 | 6 Pieces for Organ: No. 3. Prelude, fugue et variation in B Minor, Op. 18, M. 30 (arr. I. Friedman for piano) | Ignaz Friedman, César Franck, Joseph Banowetz | B Minor | 0 | 10A | 179 BPM | |
| Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM |
- ISRC
- DEE862000293
- Label
- L-M Records/RCA Records
Section: 1.004657506942749
End: 1.0082752704620361