Lionel Newman made "Prologue / Main Title - From the True Story of Jesse James, 1957" available on January 3, 2020. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "The Film Music of Leigh Harline (Original Movie Soundtrack)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Canada. Based on our statistics, Prologue / Main Title - From the True Story of Jesse James, 1957's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Prologue / Main Title - From the True Story of Jesse James, 1957 by Lionel Newman having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Twelfth Street Toreador | Pee Wee Hunt | C Major | 3 | 8B | 178 BPM | ||
The Things I Might Have Been (feat. Sue Thompson) | Tennessee Ernie Ford, Sue Thompson | E♭ Minor | 1 | 2A | 137 BPM | ||
Lullaby of Broadway | Richard Himber Orchestra | G Major | 3 | 9B | 200 BPM | ||
Sunflower | Neoxyt | C Major | 0 | 8B | 98 BPM | ||
Evening Star - 1941 | Raymond Scott | C Minor | 4 | 5A | 106 BPM | ||
Melody of Love - Remastered | Wayne King | A Major | 4 | 11B | 90 BPM | ||
Swingin' in the Groove | Dreamweaver Collective | C Major | 4 | 8B | 91 BPM | ||
See what the boys in the backroom - Destry Rides Again, 1939 | Marlene Dietrich | E♭ Major | 1 | 5B | 63 BPM | ||
Lively Lulu | Joe Rixner | A♭ Major | 4 | 4B | 89 BPM | ||
Midnight-Melodies | Dreamweaver Collective | C Major | 4 | 8B | 91 BPM |
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