"Johannes-Passion, BWV 245: No. 20, Erwäge, wie sein blutgefärbter Rücken" by Johann Sebastian Bach, Münchener Bach-Orchester, Ernst Haefliger, Karl Richter had its release date on November 1, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, Karl Richter, Münchener Bach-Orchester's "J.S. Bach: Johannes-Passion, BWV 245" album is number 12 out of 24. On top of that, Italy appears to be the country where this track was created. Johannes-Passion, BWV 245: No. 20, Erwäge, wie sein blutgefärbter Rücken is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Johannes-Passion, BWV 245: No. 20, Erwäge, wie sein blutgefärbter Rücken by Johann Sebastian Bach, Münchener Bach-Orchester, Ernst Haefliger, Karl Richter to be Lento (slowly) because the track has a tempo of 58 BPM, a half-time of 29BPM, and a double-time of 116 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | ||
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio | Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras | E Major | 0 | 12B | 91 BPM | ||
Goldberg Variations, BWV 988: Var. 1 | Johann Sebastian Bach, Murray Perahia | G Major | 3 | 9B | 106 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM |