"For All the Saints (Arr. Christopher Willcock)" by The Choir of Trinity College, Melbourne, Australian Chamber Brass, Jonathan Bradley, Michael Leighton Jones was released on November 9, 2012. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 50 Best-Loved Hymns, so we believe that "For All the Saints (Arr. Christopher Willcock)" is a single. In terms of popularity, For All the Saints (Arr. Christopher Willcock) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of For All the Saints (Arr. Christopher Willcock) by The Choir of Trinity College, Melbourne, Australian Chamber Brass, Jonathan Bradley, Michael Leighton Jones is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sacred Veil: IX. One Last Breath | Various Artists, Christopher Watson, Polyphonic Voices, Rhodri Clarke, Rosanne Hunt, The Choir of Trinity College, Melbourne | C Minor | 0 | 5A | 139 BPM | ||
The Day You Gave Us, Lord, Is Ended (Arr. Michael Leighton Jones) | Clement Cotterill Scholefield, Michael Leighton Jones, John Ellerton, The Choir of Trinity College, Melbourne, Jonathan Bradley | G Major | 2 | 9B | 78 BPM | ||
Three Scottish Folk Songs: II. Loch Lomond | Peter Campbell, The Choir of Trinity College, Melbourne, Christopher Watson | G Major | 0 | 9B | 125 BPM | ||
Morning Has Broken (Bunessan) | Church Music UK | C Major | 2 | 8B | 85 BPM | ||
God of Grace and God of Glory | The Choir of the First Presbyterian Church in the City of New York, William F. Entriken | D♭ Minor | 2 | 12A | 181 BPM | ||
Lift Thine Eyes | Felix Mendelssohn, Elnora Bible Institute Choir, Lyle Stutzman | G Major | 1 | 9B | 174 BPM | ||
The Crucifixion: Hymn: For the love of Jesus | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | E Major | 1 | 12B | 83 BPM | ||
Wiltshire "Through All the Changing Scenes of Life" | George Thomas Smart, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill | B♭ Major | 0 | 6B | 130 BPM | ||
Dear Lord And Father Of Mankind | The Celebration Choir, The Salvation Army Citadel Band - Sheffield | E♭ Major | 2 | 5B | 80 BPM | ||
Franconia "Blest Are the Pure in Heart" | Johann Georg Ebeling, Johann Balthasar Konig, The Chapel Choir of Selwyn College, Cambridge, Timothy Morgan, Daveth Clark, Sarah MacDonald | A Major | 0 | 11B | 80 BPM |
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