Fernando Sor, Timo Korhonen's ' "Fantasia No. 7, Op. 30: Variation 3" was released on its scheduled release date, January 1, 1994. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Sor: Fantasias Nos. 7, 10, 13 / 24 Studies (Excerpts)". In this album, this song's track order is #5. Based on our statistics, Fantasia No. 7, Op. 30: Variation 3's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Fantasia No. 7, Op. 30: Variation 3 by Fernando Sor, Timo Korhonen having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tucututa | Victor Villadangos | G Minor | 0 | 6A | 90 BPM | ||
24 Studies, Op. 35, "Exercises": Study No. 14 in D Minor | Fernando Sor, Timo Korhonen | A Minor | 0 | 8A | 112 BPM | ||
Partita No. 7 in C Major (Arr. G. Buscemi for Guitar): II. Andante | Giuseppe Antonio Brescianello, Giuseppe Buscemi | D Major | 1 | 10B | 109 BPM | ||
25 Etudes, Op.60: No.13 | Matteo Carcassi, Paco Hallak | A Major | 2 | 11B | 84 BPM | ||
Carcassi Op.60 N.7 Allegro | Matteo Carcassi, Lucio Matarazzo | A Minor | 5 | 8A | 144 BPM | ||
L'entretien des muses, RCT 3/6 (Arr. Grizard for Guitar) | Jean-Philippe Rameau, Raphaël Feuillâtre | G Major | 1 | 9B | 150 BPM | ||
Suite del recuerdo: Evocacion | Jose Luis Merlin, Jason Vieaux | E Minor | 1 | 9A | 114 BPM | ||
25 Etudes, Op.60: No.4 | Matteo Carcassi, Paco Hallak | D Major | 2 | 10B | 93 BPM | ||
Sonata in a Major, K. 322 | Domenico Scarlatti, Scott Tennant | A Major | 2 | 11B | 111 BPM | ||
Maria Carolina | Antonio Lauro, Adam Holzman | A Minor | 1 | 8A | 91 BPM |