"Piano Sonata No. 8: IIc. A Half-Mutilated Cradle – Berceuse" by Leo Ornstein, Marc-André Hamelin had its release date on August 1, 2002. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Piano Sonata No. 8: IIc. A Half-Mutilated Cradle – Berceuse's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leo Ornstein, Marc-André Hamelin's "Leo Ornstein: Piano Music" album is number 27 out of 29. On top of that, United Kingdom appears to be the country where this track was created. Piano Sonata No. 8: IIc. A Half-Mutilated Cradle – Berceuse is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Sonata No. 8: IIc. A Half-Mutilated Cradle – Berceuse by Leo Ornstein, Marc-André Hamelin to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quintet, Op. 92, SO 610: III. Allegro agitato | Leo Ornstein, Jascha Nemtsov, Asasello Quartett | G Minor | 2 | 6A | 68 BPM | ||
Ave Maria (Arr. for Cello and Orchestra by Martin Ulikhanyan) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
Préludes, Book 2, CD 131: III. La puerta del vino | Claude Debussy, Lívia Rév | F Minor | 0 | 4A | 67 BPM | ||
24 Preludes, Op. 28: No. 7 in A Major. Andantino | Frédéric Chopin, Garrick Ohlsson | G Major | 0 | 9B | 70 BPM | ||
Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): IVa. Pas de deux. Adagio | Igor Stravinsky, Anthony Marwood, Thomas Adès | D Minor | 2 | 7A | 100 BPM | ||
Valses nobles et sentimentales, M. 61: II. Assez lent, avec une expression intense | Maurice Ravel, Angela Hewitt | D♭ Major | 0 | 3B | 65 BPM | ||
Janáček: On an Overgrown Path, Book I: No. 3, Come With Us! | Leoš Janáček, Mikhail Rudy | E Major | 0 | 12B | 77 BPM | ||
Piano Concerto No. 2 in B-Flat Major, Op. 83: IV. Allegretto grazioso | Johannes Brahms, Michael Korstick, Constantin Trinks, Deutsches Symphonie-Orchester Berlin | B♭ Major | 2 | 6B | 103 BPM | ||
Tears | Alexei Stanchinsky, Peter Jablonski | D♭ Major | 1 | 3B | 80 BPM | ||
Rapsodie espagnole | Maurice Ravel, Faccini Piano Duo | F♯ Minor | 1 | 11A | 65 BPM |