"Sonate d'intavolatura di leuto, Op. 1, Sonata VIII: Sarabanda" by Giovanni Zamboni, Simone Vallerotonda was released on June 10, 2016. The duration of Sonate d'intavolatura di leuto, Op. 1, Sonata VIII: Sarabanda is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Sonate d'intavolatura di leuto, Op. 1, Sonata VIII: Sarabanda's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zamboni: L'ultimo romano. Sonate d'intavolatura di leuto, 1718 by Giovanni Zamboni, Simone Vallerotonda. The song's track number on the album is #4 out of 28 tracks. Sonate d'intavolatura di leuto, Op. 1, Sonata VIII: Sarabanda is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Sonate d'intavolatura di leuto, Op. 1, Sonata VIII: Sarabanda by Giovanni Zamboni, Simone Vallerotonda has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Sonate d'intavolatura di leuto, Op. 1, Sonata VIII: Sarabanda being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lute music - Italy: Ricercar XIII | Vincenzo Capirola, Konrad Ragossnig | B♭ Major | 0 | 6B | 86 BPM | ||
Allemande 4 - 1557 | Claude Gervaise, Ensemble Doulce Mémoire | G Minor | 2 | 6A | 117 BPM | ||
Nuernberger Lautenbuch: Ballet Mercurij F-Dur | Christian Zimmermann | C Major | 1 | 8B | 94 BPM | ||
Fantasia | Luis de Narváez, Shirley Rumsey | C Minor | 0 | 5A | 95 BPM | ||
Ballo detto il Conte Orlando - Fantasia | Simone Molinaro, Jakob Lindberg | B Major | 1 | 1B | 136 BPM | ||
Pièces de viole, Livre IV, Suite d'un goût étranger: No. 82 in F Minor, La rêveuse | Marin Marais, Ensemble Fitzwilliam, Pascal Monteilhet | D♭ Major | 2 | 3B | 142 BPM | ||
In Nomine à 5 "Trust" | Christopher Tye, Fretwork | C Minor | 0 | 5A | 62 BPM | ||
Suite in E Major, BWV 1006a: II. Loure | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
Tres 'Sobre El Canto Ilano De La Alta' | Antonio de Cabezón, Veronique Musson-Gonneaud | F Major | 2 | 7B | 117 BPM | ||
Haulberroys (Attaignant) | Edward Martin | G Minor | 1 | 6A | 82 BPM |
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