Magnificat in D, BWV 243: Suscepit Israel (Sopranos 1&2/countertenor) - Lisa Milne, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Michael Chance, Ian Bostridge, Academy of Ancient Music Information

Acousticness: 99%
Danceability: 25%
Energy: 7%
Instrumentalness: 5%
Liveness: 12%
Loudness: 62%
Speechiness: 5%
Valence: 10%
Popularity: 8%
Loudness: -22.888 dB

Summary

"Magnificat in D, BWV 243: Suscepit Israel (Sopranos 1&2/countertenor)" by Lisa Milne, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Michael Chance, Ian Bostridge, Academy of Ancient Music was released on April 18, 2000. The duration of Magnificat in D, BWV 243: Suscepit Israel (Sopranos 1&2/countertenor) is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Magnificat in D, BWV 243: Suscepit Israel (Sopranos 1&2/countertenor)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 52 in Bach: Magnificat in D etc. by Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury. In terms of popularity, Magnificat in D, BWV 243: Suscepit Israel (Sopranos 1&2/countertenor) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Magnificat in D, BWV 243: Suscepit Israel (Sopranos 1&2/countertenor) BPM

The tempo marking of Magnificat in D, BWV 243: Suscepit Israel (Sopranos 1&2/countertenor) by Lisa Milne, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Michael Chance, Ian Bostridge, Academy of Ancient Music is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

Magnificat in D, BWV 243: Suscepit Israel (Sopranos 1&2/countertenor) Key

This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Grande Messe des Morts: XIV. Sequentia: Oro supplex - Grave	Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis	F Minor	0	4A	86 BPM
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Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109	Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists	A♭ Major	2	4B	61 BPM
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Idomeneo KV 366, Act 2, Scene VI: Coro: Corriamo, fuggiamo quel mostro spietato!	Wolfgang Amadeus Mozart, Sir Charles Mackerras, Scottish Chamber Orchestra, Ian Bostridge, Lisa Milne	E Minor	1	9A	78 BPM
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Große Messe C Major, op.86: Kyrie	Ludwig van Beethoven, Regine Hangler, Martina Mikelic, Ilker Arkayürek, Christian Hübner, Chor von St. Augustin, Robert Rieder	G Major	1	9B	92 BPM
4 Songs, Op. 14: Autumn evening	Roger Quilter, Graham Johnson, Lisa Milne	B♭ Minor	0	3A	174 BPM
Grande Messe des Morts: XII. Sequentia: Inter oves - Allegretto	Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis	F Major	1	7B	102 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.9320206642150879

End: 0.9356298446655273