Werner R. Heymann, Paul Hörbiger, Marek Weber Orchestra, Marek Weber's 'Der Kongress tanzt: Das muss ein Stuck vom Himmel sein' came out on January 29, 2013. The duration of Der Kongress tanzt: Das muss ein Stuck vom Himmel sein is about 3 minutes long, at 3:25. Based on our data, "Der Kongress tanzt: Das muss ein Stuck vom Himmel sein" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 22 out of 22 in Chronik deutscher Filmmusik - History of German Film Music, Vol. 2: Melodie der Liebe (1931-1933) by Various Artists, Paul Dessau, Otto Dobrindt, Paul Godwin, Gerard Jacobsohn, Walter Schultze, Franz Doelle, Frieder Weissmann, Hans Sommer, Ralph Erwin, StudioConductor, Gerhard Hoffmann, Hans Bund, Ilja Livschakoff, Felix Lehmann, Marek Weber. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Der Kongress tanzt: Das muss ein Stuck vom Himmel sein's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Der Kongress tanzt: Das muss ein Stuck vom Himmel sein by Werner R. Heymann, Paul Hörbiger, Marek Weber Orchestra, Marek Weber is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Küß Mich, Bitte Küß Mich | Rudi Schuricke | A♭ Major | 4 | 4B | 105 BPM | ||
Von der Puszta will ich träumen | Zarah Leander | E Minor | 2 | 9A | 70 BPM | ||
Alle Tage Ist Kein Sonntag | Willy Schneider | A♭ Major | 2 | 4B | 83 BPM | ||
Servus Wien | Paul Hörbiger, Hans Moser | G Major | 2 | 9B | 128 BPM | ||
Wenn ich Liebe brauch geh ich zur Pauline | Marek Weber, Orchester | D♭ Minor | 5 | 12A | 121 BPM | ||
Willst du mit mir geh'n | Daliah Lavi | E♭ Major | 7 | 5B | 90 BPM | ||
Durch Berlin fliesst immer noch die Spree | Jean Gilbert, Hermann Prey, Wannsee-Sanger, Cologne Radio Orchestra, Heinz Geese | C Major | 2 | 8B | 116 BPM | ||
Ein Freund, Ein Guter Freund | Werner R. Heymann, Werner Brock, Collner Cafehaus Ensemble | C Major | 3 | 8B | 123 BPM | ||
Kriminal-Tango | Hazy Osterwald Sextett | F Minor | 4 | 4A | 123 BPM | ||
Rhapsodische Sinfonie für großes Orchester und Baritonsolo in einem sechsteiligen Satze, Op. 5: 4. Finden | Werner R. Heymann, Capitol Symphonie Orchester, Roland Boer, Hans Christoph Begemann | A♭ Major | 1 | 4B | 75 BPM |
Section: 0.6010627746582031
End: 0.6060504913330078