"Halleluja zum Osterfest" by Hans-Joachim Marx, cantus et musica Freiburg, Raimund Hug was released on June 28, 2013. Since Halleluja zum Osterfest is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in cantus et musica Freiburg, Raimund Hug's "Heiller, Kubizek, Orbán, Schilling, Nystedt, Brunner, Wiggins, Zehm, Marx, Lengerich, Kropfreiter & Planyavsky: Resurrexi - Neue Chormusik zur Fasten- und Osterzeit" album is number 11 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Halleluja zum Osterfest's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Halleluja zum Osterfest by Hans-Joachim Marx, cantus et musica Freiburg, Raimund Hug to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wings (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
Nien, Geliebter, Setze Dich | Georg Friedrich Daumer, Johannes Brahms, One Voice Mixed Chorus, Jane Ramseyer Miller | E Major | 0 | 12B | 86 BPM | ||
Crotch: Palestine: No. 26, Chorus, "Lo! star-led chiefs Assyrian odours bring" | William Crotch, St. Paul's Cathedral Choir, Harry Gabb, Dr John Dykes Bower | G Major | 2 | 9B | 102 BPM | ||
O stella caeli | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
Requiem: IV. In Remembrance | Eleanor Daley, The Gesualdo Six, Owain Park | D♭ Major | 1 | 3B | 81 BPM | ||
I Owe My Lord a Morning Song | John Bell, The Cathedral Singers | D Major | 2 | 10B | 126 BPM | ||
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM | ||
Canticle of Love | Sister Maria Therese Sokol, OCD, Saint Luke Productions | D Major | 1 | 10B | 105 BPM | ||
Signum Magnum Apparuit | Floriani | E Minor | 0 | 9A | 175 BPM | ||
Deep in the night (from 'Sun, Moon, Sea, and Stars') - SATB | Jussi Chydenius, The Oxford Choir | D♭ Major | 4 | 3B | 81 BPM |
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