- BPM
- 63
- Key
- F Major
- Camelot
- 7B
Lob sei dem allmächtigen Gott, BWV 602 - Johann Sebastian Bach, Simon Preston Information
- Acousticness
- 89%
- Danceability
- 22%
- Energy
- 2%
- Instrumentalness
- 62%
- Liveness
- 11%
- Loudness
- 58%
- Speechiness
- 4%
- Valence
- 13%
- Popularity
- 8%
- Loudness
- -25.195 dB
Summary
"Lob sei dem allmächtigen Gott, BWV 602" by Johann Sebastian Bach, Simon Preston was released on October 12, 2021. With Lob sei dem allmächtigen Gott, BWV 602 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 48 out of 450 in Classics for Autumn: Bach by Johann Sebastian Bach, Various Artists. Lob sei dem allmächtigen Gott, BWV 602 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Lob sei dem allmächtigen Gott, BWV 602 BPM
The tempo marking of Lob sei dem allmächtigen Gott, BWV 602 by Johann Sebastian Bach, Simon Preston is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Lob sei dem allmächtigen Gott, BWV 602 Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | |
 | Concerto for violin and oboe in C Minor, BWV 1060R: III. Allegro | Johann Sebastian Bach, Isabelle Faust, Xenia Löffler, Akademie für Alte Musik Berlin, Bernhard Forck | B Minor | 4 | 10A | 120 BPM | |
 | Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | |
 | Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | |
 | Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | |
 | Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | |
 | Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM | |
 | Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : II. Alla Siciliana | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Lucas Barr, Christine Pichlmeier, Antonio Vivaldi | F♯ Minor | 1 | 11A | 129 BPM | |
 | Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | |
 | Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle Berlin | A♭ Major | 0 | 4B | 59 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7206275463104248
End: 0.7244939804077148